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The Piazza and Church of Santa Maria Maggiore ch
Painting ID:: 8440
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PANNINI, Giovanni Paolo
The Piazza and Church of Santa Maria Maggiore ch
1744
Oil on canvas
Palazzo Quirinale, Rome
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Musical Fete
Painting ID:: 8441
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PANNINI, Giovanni Paolo
Musical Fete
1747
Oil on canvas, 207 x 247 cm
Mus??e du Louvre, Paris
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Apostle Paul Preaching on the Ruins af
Painting ID:: 8442
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PANNINI, Giovanni Paolo
Apostle Paul Preaching on the Ruins af
1744
Oil on canvas, 64 x 83,5 cm
The Hermitage, St. Petersburg
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Roma Antica af
Painting ID:: 8443
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PANNINI, Giovanni Paolo
Roma Antica af
c. 1755
Oil on canvas, 186 x 227 cam
Staatsgalerie, Stuttgart
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Interior of Saint Peter's
Painting ID:: 30619
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PANNINI, Giovanni Paolo
Interior of Saint Peter's
mk68
Oil on canvas
Venice.
Ca'Rezzonico Museum
175
Italy
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PANNINI, Giovanni Paolo
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Italian Neoclassical Painter, ca.1691-1765
was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto, |
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| Alois Auer von Welsbach | Lady Anne Barnard | Martin Schongauer | |
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